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Jul 11, 2026

50 Years Ago Today: Yes and Peter Frampton Spark a Riot in San Diego

Michael Ochs Archives/Getty Images; Chris Walter/WireImage

In the bicentennial summer of 1976, a record number of major rock acts hit the arena/stadium circuit across North America, including Paul McCartney and Wings, the Who, Elton John, Kiss, the Beach Boys, the Band, the Stills-Young Band, Yes, Peter Frampton, and Genesis. These were often part of multi-artist bills that ran for well over six hours, starting long before the sun set.

Inevitably, they didn’t all go over very well. “It is obvious that this is not the Big Bicentennial Bonanza that was anticipated,” syndicated newspaper columnist Lisa Robinson wrote in her Rock Talk column. “Talk to any rock star, and you’ll immediately become engaged in The Discussion: Why the huge, outdoor stadium shows don’t necessarily work.”

Elton John broke it down for her. “I think this is the last year for those kind of shows,” he said. “Any promoter will tell you that these shows aren’t doing such good business. The kids don’t get a good view. They have to sit there all day in the sweltering heat. If they want to go to the bathroom or get something to drink it’s a drag. And to see the act they like, they have to sit for hours watching bands they really didn’t come to see.”

One tour that had little trouble selling tickets, however, was a co-headlining bill of Yes and Peter Frampton at stadiums in June and July. This was the red hot peak of Frampton mania when Frampton Comes Alive! was the Number One album on the Billboard 200, by a long shot, and it was impossible to turn on the radio without hearing “Baby, I Love Your Way,” “Show Me the Way,” or “Do You Feel Like We Do.” The music industry hadn’t seen anything quite like it since Beatlemania.

Yes, meanwhile, hadn’t released a new LP since 1974’s Relayer, and they’d been off the road for a year. Singer Jon Anderson, guitarist Steve Howe, bassist Chris Squire, and drummer Alan White all spent the downtime cutting solo albums. But they regrouped in May 1976 for an extensive North American arena tour with opening act the Pousette-Dart Band. And when Frampton joined the bill in Philadelphia, Washington, D.C., Anaheim, California, San Diego, and Cicero, Illinois, the show moved into stadiums or, in the case of Cicero, a race track.

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